All unknow artist 's Paintings
The Painting Names Are Sorted From A to Z

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Choice	ID	Image	Paintings (From A to Z)	Details
	27397		The agony in the garden	mk56 oil on silvered copper Francesco Trevisani
	40147		The Agony in the Garden	mk156 c.1350 Tempera on panel 100x92cm
	56920		the agriculture god swallows his child	mk250 A.D. 1819-1823 years. On after mural canvas's part, entire picture 144.8 x 81.3 centimeters. Madrid pula art museum.
	39432		The Anastasis (resurrection)	mk148 Adam takes icon out of the Novgorod-school, Russia, late 14.Jh.Christus at hand and leads it and the further deceased biblical persons out of the hell
	42587		The angels Gods Defeat the Enemies of the Israelieten illuminatie	MK169 width 12 cm from Reims ca.820-32 n. Chr. universities library Utrecht
	41773		THe Annuciation	mk165 Saint Catherine Monastery Mount Sinai Egypt
	41879		The Annuciation	mk165 Novgorod 41x33cm
	41782		The Annuciation,The Archangel Gabriel	mk165 Church of the virgin peribleptos of Ohrid
	41783		The Annunciation	mk165 Church of the Peribleptos of Ohrid
	41810		The Annunciation	mk165 Egg tempera on plaster on wood 55x43cm
	41828		The Annunciation	mk165 43x34cm
	64183		The Annunciation	1410s Woollen tapestry, 345 X 290 cm The Cloisters Collection, Metropolitan Museum of Art, New York Tapestries provided a very suitable medium for the stylistic expression of the International Gothic art. While, in general, tapestry weaving attempted to solve the same problems as those raised by painting, the opposite can be observed in the period about 1400: it was then in fact painters who endeavoured to achieve effects like tapestry by the homogeneous texture of their pictures, which were made up from tiny, dense and decoratively stylized repeated elements. It is a characteristic feature of the International Gothic style to endeavour to make the various motifs appear to be of the same quality, and to give them the fluid lines of textiles. These endeavours felicitously made use of the possibilities offered by tapestry-weaving. In general terms the composition follows that of Broederlam's Annunciation; it is from the open air that the angel approaches the Virgin, who is enthroned in a chapel-like building. The upper outlines of the chapel are set off by the contrast of the brown mountain which looms up behind the building. On the left luxuriant vegetation stretches up towards the sky, where a half length figure of God the Father appears surrounded by a golden mandorla. Narrow bands of white cloud form a rhythmically repeated pattern on the sky around him. The building looks as if it were made of some rigid fabric, for its column is like a thick cluster of cables, decorated with recurrent multicoloured motifs. The bottom edge is a fluctuating line, as if the ground were creeping up the wall. This may be a stylized version of the hillside to be seen beside Broederlam's pavilion. As though to counter-balance the luxuriant vegetation on the left side, the floor of the chapel is covered with a mosaic of amazing variety. There are no duplicates among the geometrical forms, which alternate with stylized foliate motifs. The natural surroundings are also luxuriantly decorative: plants of different kinds will spring from the same stock. However, it is not only with the abundance of forms of trees, leaves and flowers that the forest astonishes us, but with its sense of magic and mystery. The trunks of the trees with their vibrant lines, the flowers, which resemble stars, and the clusters of leaves are illuminated by shimmering lights. The same vegetation that is resplendent in bright colours in front of the building and on the left side of the tapestry, darkens behind the angel on the right creating, as if by magic, a mysterious, nocturnal darkness around the heavenly messenger, a darkness out of which only a few stylized foliate forms shine forth. The rigid stems apparontly have no connection with the petals (for example between the wings and the back of the angel). This vegetation has marked affinities with the foliate forms in the so-called Paris Apocalypse, a work also produced in the Low Countries, where the same motifs again produce a most expressive effect. , Artist: UNKNOWN MASTER, Flemish , The Annunciation , 1401-1450 , Flemish , painting , religious
	65001		The Annunciation	1430 Wood, 140 x 169 cm Museu Nacional d'Art de Catalunya, Barcelona The anonymous Castilian painter who in the first half of the fifteenth century painted this Annunciation was probably more of a craftsman than an artist. Certainly he had not assimilated the pictorial innovations already evident in Italy and north of the Alps. The work reveals an independence in the treatment which calls to mind the way in which the peasant craftsmen of Eastern Europe freely adapted acknowledged styles to suit local tastes when they decorated some of the churches of the Carpathian Basin. This work owes a great deal to Gothic art, but the Castilian painter has given free rein to his love of ornamentation. The lack of perspective seems unimportant where there is such a decorative use of colour for the garments, and the vase with three lilies distracts us from the clumsy proportions of the figure of Mary. , UNKNOWN MASTER, Spanish , The Annunciation , 1401-1450 , Spanish , painting , religious
	79184		The Annunciation	"The Annunciation" by Geronimo Lucenti da Correggio Painting, Oil on copperplate, 67x51 cm First quarter of the 17th century cjr
	41811		The Annunciation of Ustyug	mk165 From the Saint George Monastgery at Novgorod
	43483		The Apocalyptic Texts	mk172 by John of Patmos inspired a series of Images that nourished the Figurative arts throughout Western history
	41832		THe Apostle Peter	mk165 1387-95 148x98cm
	53638		The apostle Peter, from Oscottpsaltaren	mk234 about 1270 3019cm
	41791		The Apostle Phillip and the Saints Theodore and Demetrius	mk165 Egg Tempera on plaster on wood 41x50cm
	71922		The Appian Way	ca. 1869(1869) Oil on canvas 9.2 x 98.4 x 206.5 cm (3.62 x 38.74 x 81.3 in)
	41802		The Archangel Gabriel	mk165 1387-1395 Egg tempera on plaster on canvas mounted on wood 146x106cm
	41803		The Archangel Gabriel	mk165 National Museum Lviv Ukraine
	41815		The Archangel Gabriel	mk165 48x239cm The State Russian Museum
	41789		The Archangel Michael	mk165 From the Church of Saints-Cyrius and juliette Lagourka Georgia
	41839		The Archangel Michael	mk165 33x50 From the Church of the Exaltation of the Holy Cross Drogobytch
	64921		The Archangel Michael	127 x 78 cm Museu Nacional d'Art de Catalunya, Barcelona The archangel Michael was, like St. George the dragon-killer, one of the typically warlike saints so greatly approved in the age of chivalry. The Bible tells us that he fought with Satan for the body of Moses and we can read in the Apocalypse how he defeated the dragon with seven heads and ten horns. St. Michael was therefore looked upon as one of the principal patrons of the Church who, having overcome Satan, could protect all innocent souls from the Devil. This painting illustrates the somewhat provincial style of Juan de la Abadia of Huesca. The heritage of the Trecento can be seen in the delicate, girlish countenance of the saint and the brilliant tints of the wings, but blended with it is the elegance associated with the International Gothic style. The figures are wooden and lifeless and the artist's limited knowledge of anatomy may be seen in his representation of the soul; but the carefully arranged pattern of the floor creates the illusion of space, indicating that the artist was aware of the later developments of Gothic art and was to some extent influenced by early Renaissance art. , ABADIA, Juan de la , The Archangel Michael , 1451-1500 , Spanish , painting , religious
	41776		THe Archangel Saint Michael	mk165 Icon of Gilded silver Enamel and precious stones Saint Marc Basilica-s Treasure Venice
	41906		The Archimandrite Zinon,Saint Sergius of Radonezh	mk165 Dormition Monastery Pskov Russia
	42684		The Ardebil-rugs	MK169 1540 Pole of full 10.5x5.3m Victoria and Albert Museum Rewarded
	49275		The Army of the Potomac Landing at Fort Monroe	mk195 1862 Watercolor on paper 4x6
	49218		The Army of the Potomac Marching up Pennsylvania Avenue,Washington	mk195 1861 Oil on canvas 39x50
	44307		The Arrest of Christ	1290s Fresco
	79125		The arrest of Christ	ca. 1530-1550 Oil on panel 51.2 x 80.8 cm (20.2 x 31.8 in) cjr
	78753		The Artist with his Daughter Antonia	ca. 1750(1750) Oil on canvas 159 x 118 cm (62.6 x 46.5 in) cjr
	79789		The Artist's Daughters on the Way to School	Oil on canvas, 134 x 105.5 cm Date 1851(1851) cjr
	64338		the artist's wife and sister	1088 orleans, museum
	56838		The artist's younger brother and sister portrait	mk250 About 1555. Methuen collection, the United Kingdom Wiltshire Ke Shamu Castle.
	52578		The Artist-s Sisters	1843 Oil on canvas, 180 x 135 cm
	42727		The arts ares and her daughter	MK169 ca. 1785 Cloth 130x94cm
	41911		The Ascension	mk165 around 1680 Valachia Romania National Art Museum of Romania
	27344		The astrologer copernicus seated at a table strewn with papers,books and a globe,a negro attendant standing beside him	mk56 oil on canvas
	67280		The Astronomer	Year Unknown Technique Oil on panel Dimensions 7 3/8 ?? 10 inches (19 ?? 25.4 cm)
	42008		The Asuncion of Holy Mari Mary magdalene	mk166 near 1565 Tempera on wood Galeria National of Ireland, Dublin
	52582		The Attack of Zrinyi	1825 Oil on canvas, 455 x 645 cm
	68411		The Bagpiper	Oil on panel, 101 cm ?? 83 cm
	53627		The baker and his wife	mk234 forsta arhundradet 58x52cm
	63829		The Ball at the Court	1604 Oil on wood, 50 x 66 cm Pushkin Museum, MoscowArtist:PEPIJN, Marten Title: The Ball at the Court Painted in 1601-1650 , Flemish - - painting : genre
	60111		the band of stings and horns at the san beneto teatro	mk270 the band of stings and horns at the san beneto teatro. the musicians are placed in two serried ranks at the side of the hall in venice.
	72417		The Banks of the Loire	Oil painting reproduction of Ferdinand du Puigaudeau.
	41775		The Baptism of Christ	mk165 Saint Catherine Monastery Mount Sinai Egypt
	64775		The Baptism of Christ	Oil on canvas Mus?e du Louvre, Paris , CORNELIS VAN HAARLEM , The Baptism of Christ , 1551-1600 , Dutch , painting , religious
	71749		The Bard,	The Bard, 1774, by Welsh artist Thomas Jones. Oil on Canvas, now belonging to the National Museum of Wales in Cardiff
	75101		The barque Annie Burrill	Oil on canvas 45.7 X 63.5 cm (17.99 X 25 in) cjr
	41827		THe Battle Between the Novgorodians and the Suzdalians or the virgin of the sign	mk165 Novgorod School The State Tretyakov Gallery Moscow
	74277		The battle of pharsala by Georgios Roilos	Oil Painting , The battle of pharsala by Georgios Roilos (1867-1928) 1898(1898) cjr
	73978		The Battle of Saint Gotthard, bavarian oil-painting	The Battle of Saint Gotthard, bavarian oil-painting 1665(1665) cjr
	27502		The Battle of the amazons	mk56 oil on panel Follower of Adriaen van Stalbemt
	98403		The Battle of the Ticino	1550s Medium Distemper on sheets of paper mounted on canvas Dimensions Height: 385 cm (151.6 in). Width: 655 cm (257.9 in).
	30197		The Bayeux Tapestry	nn05 after 1066 Propaganda on cloth
	72295		The Beach at Trouville	"The Beach at Trouville," oil on panel, by the French artist Eugene Louis Boudin. 8 3/8 in. x 16 in. Yale University Art Gallery, Collection of Mr. and Mrs. Paul Mellon, B.A. 1929. Courtesy of Yale University, New Haven, Conn. cjr
	78190		The Belgian Refugee,	The Belgian Refugee, oil on canvas painting by Norah Neilson Gray Date 1915(1915) cjr
	45695		The belief	mk186 around 1470 Florence, Uffizien
	42822		The Betrayal of Judas and the Arrest of Christ	mk170 circa 1325 Tempera on poplar 40.5x58.5cm
27431		The Betrothal	mk56 oil on panel After Lucas van Leyden
27358		The Betrothal of the virgin	mk56 oil on canvas Franco-Flemish School,17th Century
64345		the billet- doux	1808 leeuwarden, fries museum
34166		The bird Simurgh carries the child Zal aloft into the mountains	mk90 Illustration to Firdawsi\'s Book of Kings
39426		The birth	mk146 byzantinisches fresco church of Karamlik Kilise, Kappadozien, around 1175. in accordance with apokrypher delivery Maria in a cave releases under presence of two nurse one by the name of Salome)
39425		The birth of the virgin	mk146 Italian Schule,15.Jh. Anna mounted washed becomes itself in bed during (in the foreground) the wrapped baby Maria by a nurse
42020		The birth of the Virgin one	mk166 the middle of the 17th Century I Wave on cloth 168x119cm Museum of the Louvre, Paris
49288		tHE Blockade Runner Ashore	mk195 1864 Watercolor 10x16
79261		The Blue Head	The Blue Head, painting, oil on canvas, 49.5 x 39.4 cm, by Peter Purves Smith Date 1937(1937) cjr
72177		The Boar Hunt	between 1525(1525) and 1530(1530) Oil on cradled panel 21 X 38.7 cm (8.27 X 15.24 in)
30337		The Book of the Dead of Padiameet	mk68 C.1985-1650BCE Papyrus, London,British Museum
73230		The Bourg-de-Batz Church under the Moon	Oil painting reproduction of Ferdinand du Puigaudeau. cjr
73962		The Boy with the Bird	Der Knabe mit dem Vogel cjr
75202		The Bridge at Remich	"The Bridge at Remich", oil painting by Luxembourg post-impressionist painter cyf
77500		The burning of the English fleet off Chatham, 20 June 1667.	ca. 1670(1670) (1667-1700) Oil on panel 73 ?? 108 cm (28.7 ?? 42.5 in) cjr
27415		The Calling of peter,christ healing the blind man	mk56 a pair,both oil on copper
35382		The Cape of Good Hope	mk102 c.1731-32 Oil on canvas 78.5x117.0cm
33034		The Captive	nn08 Collection of the Cincinnati Art Museum
44720		The Capture of Porto Bello	mk175 21 November 1739 A drawing of this action was sent back by Capt.Durell
49574		The Caroline envaldet Fellow XI and his family pa 1690- digits	mk201 King stout to blemish. in the double portrattet upon him had konstnaren millings his doda gemal
62884		The Castle of Batavia	Seen from Kali Besar West 1656 Oil on canvas, 108 x 151,5 cm Rijksmuseum, Amsterdam Dutch expansion overseas was in both directions, eastward and westwards. In particular, it was the establishment of the Dutch East India Company (VOC) in 1602 and the Dutch West India Company (WIC) in 1621, each with clearly demarcated areas of activity, that caused the number of Dutch overseas territories to increase rapidly. Some of the settlements in the western hemisphere were only briefly under Dutch administration: Northern Brazil (1624-1661) and New Holland, with the city of New Amsterdam ethe future New York eat the mouth of the Hudson river (1628-1664). On the other hand, the islands of Curacao, Aruba, Bonaire, St. Eustatius, Saba and St. Martin are still Dutch, while Surinam became independent in 1975. The Far Eastern territories were the most important, including settlements in India, Ceylon (now Sri Lanka), Malacca (now part of Malaysia), Formosa (now Taiwan), the Japanese island of Deshima and the Indonesian archipelago. It was here, in Batavia on the island of Java, that the VOC established its administrative headquarters, with a governor-general in charge from 1610 onwards. Trading contracts were signed and alliances concluded with local princes. In 1652, a staging post for VOC ships was established at the southern tip of Africa, known as the Cape of Good Hope. The arrival of settlers was to transform this into a fully-fledged Dutch colony. In the background of the paianting is the castle of Batavia, the bastion of Dutch rule in Asia. This was where the VOC's administrators lived. The governor-general is just arriving in town with his retinue. In the foreground is a market by the Kali Besar, or Great River. The Dutch built Batavia in 1619 on the site of Jakarta, which they had destroyed. Beeckman was commissioned by the voc to paint this peaceful scene on the spot. Artist: BEECKMAN, Andries Title: The Castle of Batavia, Seen from Kali Besar West , painting Date: 1651-1700 Dutch : landscape
37399		The Cat	mk125
70654		The Charter Oak	1857 Wadsworth Athaneum oil on canvas 109.54 cm (43.12 in.), Width: 137.95 cm (54.31 in.)
72632		The Charter Oak	"The Charter Oak," oil on canvas, by American artist Charles De Wolf Brownell. Courtesy of the Wadsworth Atheneum, Hartford, Connecticut. cjr
77300		The Children of Comte Louis Amedie de Barjerac	The Children of Comte Louis Amedie de Barjerac", oil on canvas painting by Franz (François) Fleischbein (c. 1801-1868), 1839 cjr
78390		The children of the comte d'Artois	1781(1781) Oil on canvas 80 x 100 cm (31.5 x 39.4 in) cjr
27517		The Christ child appearing to saint anthony of padua	mk56 oil on canvas After Bartolome Esteban Murillo
41887		The Christ in the Royal Crown	mk165
50608		The Church break down	mk213 Oil on canvas
43467		The Church of San Francisco	mk172 Javier contains a lateral altarpiece dedicated to the founders of religious orders
44848		The Colosseum	mk176 Concrete Romer
45705		The composure	mk186 around 1470 Florence, Uffizien
78237		The Comtesse de Selve.	1787(1787) cjr
75005		The Concert	The Concert 1624 Oil on canvas, 168 cm x 178 cm cjr
52607		The Congregation of the Archangels	Tempera on panel Vatopediou Monastery
74069		The connoisseurs	"The connoisseurs", oil painting on panel by Theodore Gerard (1829-1895); private collection cjr
33055		The convalescent	nn08 1890